Friday, 8 November 2013

My take on the new Nikon Df ...



Sorry I haven’t posted for a while, but I’ve been writing two novels (the second one nearing completion) and I haven’t been able to do much shooting.

What’s taken my eye in recent days, however, is the announcement of the new full-frame digital camera from Nikon, the Df, which will go on sale in UK on 28 November at the eye-watering price of £2,700, give or take, a RRP which includes a new 50mm lens.

(Apparently in the UK there is no option but to buy the camera with its bundled kit lens. In the US, a body-only version is available around 300 dollars cheaper than the dollar RRP for the kit, which is a shade under $3,000.)

So, what do I make of this new offering?

I sincerely believe the company have a winner here, despite the asking price.

I had a brief look at the camera from a purely non-technical viewpoint, with the onus on how it might appeal to street photographers. I think the main thing about the Df is its film camera-like looks, harking back to Nikon’s popular F series, and the fact that, although similar in size and weight to the D600/D610, it does appear more compact.

(I still shoot much of my street photography with a D40 and prefer SLRs. I came back to photography with a renewed interest in the late 1980s and early 1990s, when I owned two Practikas and a Canon EF-M, before switching to Nikon in 2005 when I bought an F65.)

I like the fact that the Df has no movie mode. This, together with the Df’s film retro appearance and manually-activated controls, is likely to appeal to many photographers, including street shooters. (I think the Df might be taken for an old film camera on the street, thus appearing less threatening, and perhaps more inconspicuous ... particularly in black.)

Will I buy one?

Maybe in a year or so when the price comes down (by which time I hope a body-only version will be available in the UK).

Saturday, 7 September 2013

Voigtlander Color Skopar 20mm f/3.5

This is a new addition to my lens lineup. In DX, the 20mm is actually 30mm, but this wide field of view is still ideal for street photography. It is of course a manual focus lens, but used with a stop of F8 or above, and with the distance set from ten feet to infinity, I find it an excellent performer.

(As with any wide lens, you really have to get up close for best performance when doing street work. Nonetheless, with some shots I was able to crop significantly (and the D40 is a 6 megapixel camera) without losing much detail. With the D40, and I imagine with most DSLRs, you can achieve accurate focus at any F-stop by paying attention to the ‘in focus’ light, green on the Nikon, which pinpoints the focus on your subject in the viewfinder.)

I like how the lens renders colours, too, and images converted to B&W seem to have a bit of added ‘punch.’ (The lens is also small, relatively light, and unobtrusive.)

But enough of my rambles, I’ll let you be judge:

Harpist

Minicam ...

Life's a yawn ...

In the pink

Focus of attention

Giving it the works

Those boots are made for walking ...

Separate tables

Castle walk ...

The Cap'n and his mate?
Adam Smith and Friends
David Hume
Walter Scott Monument, Balmoral Hotel and North Bridge

Walter Scott Monument
in the picture