Saturday, 1 March 2014

Serendipity and the Fuji X100s ...


To paraphrase Forrest Gump: ‘Street photography is like a box of chocolates; you never quite know what you’re gonna get.’

On most my photo walks, I reckon a good day might result in at least ten per cent keepers. (This is an average; sometimes I get a little less — sometimes more.)

On the odd occasion, however, I get one image (in this case, out of 150 frames) which is a little bit special.

Take the picture below entitled ‘Hat Trick.’ The image was one of several taken on a busy (and windy) corner of Princes Street in Edinburgh.

I had absolutely no idea what I had until I opened the image in Aperture and saw the man scrabbling for his hat (crouching next to the girl in the centre of the frame; the hat is on the pavement (sidewalk) left foreground).

Very serendipitous.

These are the first images I’ve taken with my new camera, a Fuji X100s. In an earlier post, I spoke of my experience with its predecessor, the X100. I didn’t like the X100 due to its hit-and-miss focussing and returned it.

The X100s, however, is a completely different unit. Battery life is still limited (I got around 120 shots before the first battery gave out), but isn’t a problem if you carry a couple of spares (good third-party batteries are obtainable cheaply on Amazon).

This isn’t a review, of course, as the attributes of the X100s are much more comprehensively covered elsewhere on the internet. The most winning feature of the camera for me, however, is image quality.

I shoot a lot in black and white, and the X100s produces great film-like images (in jpeg). This is important, as I don’t shoot RAW. I prefer to spend as little time as possible in post-process, and I think this is where Fuji excels.

So, a thumbs-up from me for the X100s (and for the Q-button, which enables effortless switching between colour and black and white modes).

The pictures below are all OOC jpegs with minimal sharpening:

Hat trick

'And now for a nice wee cuppa tea'

Anticipation

Art lover ...

Girl in a hurry

Long wait

Lost in thought ...

Pensive

Seasoned shoppers

Trews

Walk don't run ...

Saturday, 11 January 2014

Nikon F65+Voigtlander Color Skopar 20mm & Kodak BW400CN


Got out for my first photo walk of 2014 on Wednesday, 8 January. It’s been a while since I used my Nikon F65, and wondered how my 20mm Voigtlander Color Skopar would perform in full-frame (it’s effectively 30mm on my D40).

It’s been a few months since I used film, too. I had a hankering to try pure black & white again (rather than Portra converted), but since few outlets will develop and scan B&W all that cheaply, I opted to go for C-41, which can be processed with colour chemicals.

I chose Kodak BW400CN film, as the general consensus is that it looks less grainy.

(The Voigtlander is said to vignette a little below F5.6, but as I shot at F8, this wasn’t a problem. In addition, when photographing architecture, the lens is apt to shift on the horizonal plane, less so on the vertical.)

When shooting street, though, I’m amazed at the wide field of view. In one or two of the pictures below, people in the frame are positioned to the side (and had no idea they were in the picture).

All in all, I’m quite pleased with the results:

Edinburgh Castle and Ross Fountain

Tourists examine bronze model of Old & New Town and Castle, Mound Square

Royal Scots Greys Monument, Princes Street Gardens

The Trams are coming ...

Sales ...

Tryst